Antoni Miquel Morro Mas

Antoni Miquel Morro (Palma, 1980) holds a PhD in Sculpture from the Polytechnic University of Valencia and a degree in Fine Arts from the University of Barcelona. He combines artistic research with teaching at the Llotja School of Art in Barcelona. Morro has developed a neo-figurative body of work rooted in Mediterranean tradition, with a focus on what has been called "the divine feminine." By centering on ancient female representations, he explores the symbolic possibilities of contemporary art and advocates for a space of resistance and utopian possibility. His sculptures—beings with fantastic attributes that inhabit their surroundings with fullness—connect the idea of a pre-patriarchal past with a possible future, promoting new languages that place women at the center and foster a deep connection with nature.
Ancient and True (Antiga i Vertadera), 2025
SCULPTURE
Stones from Almorquí and fossil yellow
83 x 60 x 41 cm
In this sculpture, the pregnant female figure rises as the axis of the world, her hands resting upon her belly, guarded by two resting bulls. It evokes the “Mistress of Animals” of Neolithic times — primordial visions in which the woman stands as the center of symmetry, the creative force, and the principle of order. The red oxide that grounds the piece recalls the ritual pigment of the earliest female representations, a symbol of blood, earth, and life.


Saba, 2025
SCULPTURE
Belgian black marble
53 x 16 x 12 cm
In this sculpture, the name Saba acts as a bridge between nature and culture, between root and gaze. In Catalan, saba is the vital fluid that runs through trees, carrying nutrients and energy, sustaining the life, strength, and resilience of every branch and leaf. At the same time, Saba evokes the legendary Queen of Sheba, a powerful and enigmatic figure who, according to tradition, reigned with wisdom, wealth, and autonomy.
Walking Earth (Terra que camina), 2025
SCULPTURE
Ulldecona stone
45 x 13 x 10 cm


Highlands (Serratada), 2025
SCULPTURE
Grey stone from Polpís and Almorquí stone
12 x 43 x 16'5 cm
Quartz Spikes II (Espigues de quars II), 2024
SCULPTURE
Pink marble from Portugal
67 x 17 x 13'5 cm


Flora, 2025
SCULPTURE
Jatoba and iroko woods
40 x 14 x 13 cm
The Fortune Teller (La Bonaventura), 2024
SCULPTURE
Golden travertine
25 x 16 x 25'5 cm

Rustle in the Leaves (Remor de fulles), 2024
SCULPTURE
Cypress wood
107 x 38 x 39 cm
Saba, 2025
SCULPTURE
Belgian black marble
53 x 16 x 12 cm
In this sculpture, the name Saba acts as a bridge between nature and culture, between root and gaze. In Catalan, saba is the vital fluid that runs through trees, carrying nutrients and energy, sustaining the life, strength, and resilience of every branch and leaf. At the same time, Saba evokes the legendary Queen of Sheba, a powerful and enigmatic figure who, according to tradition, reigned with wisdom, wealth, and autonomy.
Rain Offering (Ofrena de pluja), 2024
SCULPTURE
Green marble from India and gold leaf
59 x 20'5 x 12'5 cm
This series of sculptures are inspired by the work ''The Language Of The Goddess'' (1989), by the Lithuanian archaeologist Marija Gimbutas (1921-1994).


